Alice Cooper - Billion Dollar Babies Deluxe Edition + Live Houston 1973- 2 CDS Plus Bonus Tracks -WAV

Billion Dollar Babies em edição de luxo
Quer mais ou tá Bom??????

Imperdível - Tem que Baixar no Ato

A post from OldBitch and Adamus67 our Specialist in Classic Rock From Poland

Caralho, di vez in quando aparece umas que a gente tem que sair uivando ou se masturbando em público (às vezes os dois)
Num é que o caraio da gravadora tomou vergonha na cara e relançou o Billion Dollar Babies em edição de luxo, e por cima ainda com o Live Houston em 1973 com a formação original e mais bonus track?É foda , FODA, PHODA, PHUDIDO!!!!!!!!!!!!!!!!!!!!!!!!!!
Um puta cd Clássico como é o Billion e mais um segundo cd o Live Houston, só com classicos ao vivo e mais bonus!!!!!!!
Olha, isso aqui é sem comentários, talvez um dos discos mais esperados ( e não tinhamos mais esperença de acontecer) do Alice Cooper com a Formação original ao vivo,coisa que só tinhamos vistos em raros dvds
Ah, vai à merda, baixa logo esta porra aqui, e ai voce decide, uivar ou bater punheta/siririca? Ou os dois........
E vamo qui vamo

01. "Hello, Hooray" (Kempf) – 4:15
02. "Raped and Freezin'" (Cooper, Michael Bruce) – 3:19
03. "Elected" (Cooper, Glen Buxton, Bruce, Dennis Dunaway, Neal Smith) – 4:05
04. "Billion Dollar Babies" (Cooper, Bruce, Smith) – 3:43
05. "Unfinished Sweet" (Cooper, Bruce, Smith) – 6:18
06. "No More Mr. Nice Guy" (Cooper, Bruce) – 3:06
07. "Generation Landslide" (Cooper, Buxton, Bruce, Dunaway, Smith) – 4:31
08. "Sick Things" (Cooper, Bruce, Bob Ezrin) – 4:18
98. "Mary Ann" (Cooper, Bruce) – 2:21
10. "I Love the Dead" (Cooper, Ezrin) – 5:09

Deluxe Edition CD Live 1973 bonus tracks:
01. "Hello Hooray" (Live) (Kempf) - 3:04
02. "Billion Dollar Babies" (Live) (Cooper, Bruce, Smith) - 3:47
03. "Elected" (Live) (Cooper, Buxton, Bruce, Dunaway, Smith) - 2:28
04. "I'm Eighteen" (Live) (Cooper, Buxton, Bruce, Dunaway, Smith) - 4:50
05. "Raped and Freezin'" (Live) (Cooper, Bruce) - 3:14
06. "No More Mr. Nice Guy" (Live) (Cooper, Bruce) - 3:07
07. "My Stars" (Live) (Cooper, Ezrin) - 7:32
08. "Unfinished Sweet" (Live) (Cooper, Bruce, Smith) - 6:01
09. "Sick Things" (Live) (Cooper, Bruce, Ezrin) - 3:16
10. "Dead Babies" (Live) (Cooper, Buxton, Bruce, Dunaway, Smith) - 2:58
11. "I Love the Dead" (Live) (Cooper, Ezrin) - 4:48
12. "Coal Black Model T" - 2:28
13. "Son of Billion Dollar Babies" - 3:45
14. "Slick Black Limousine" (Cooper, Dunaway) - 4:26

Track 1 to 11 are recorded live in Houston 1973, previously unreleased on CD
Track 12 is an early version of "Slick Black Limousine", previously unreleased
Track 13 is a "Generation Landslide" outtake, previously unreleased
Track 14 was previously released in the UK only in 1973 as a free Flexi disc in NME magazine

English

Fuck, di time when it appears in some we have to go out howling or masturbating in public (sometimes both)
In fuck is that the label took on his face and shame relaunched in Billion Dollar Babies Deluxe Edition, and over again with a Live Houston in 1973 with the original lineup and more bonus track? Is fuck, FUCK, Fucking
A bitch like the cd Classic Billion plus a second CD Live Houston, only with live classical and more bonus!!!
Look, here it is without comment, perhaps one of the most anticipated albums (and had no more hope of making happen) Alice Cooper with the original live training, something that had only seen in rare dvds
Oh, piss off, so this shit right here downtown, and there you decide to howl or jacking off 

Adamus67 Part

Cooper considered one of the pioneers of rock with elements of theater, vaudeville and musical. His show was conceived as a shock to fans. Alice draws handfuls of horror films (he also appeared in them, such as "Prince of Darkness"). Artificial blood, electric chair, guillotine, the snake, and hundreds of cans of beer....hehehe - Cooper would mutilate dolls on stage when he performed this is inherent props his concerts. Alice suggested musically melodic rock, embedded in the tradition of the 60s and psychedelia and art rock, songs sing a characteristic, slightly hoarse voice.
The first two albums - "Pretties For You" and "Easy Action" - have not been successful. The team moved from Los Angeles to Detroit. There have been refined stage show and started work on new material. A contract with a group of Warner Bros. bought. The manufacturer of the third album was Bob Ezrin. Album "Love It To Death" brought the first big hit - "Eighteen". The album soon went gold later. The Alice Cooper began to speak louder. Also (and maybe especially?) Because of the unique concerts.
Has also proved successful new album - "Killer" (hit "Under My Wheels", later remade by Guns N 'Roses). Next, "School's Out" - proved to be a breakthrough for the band. Album landed in second place a "Billboard" and soon found more than a million customers.

Billion Dollar Babies is the sixth studio album by Alice Cooper, released in 1973. The album became the best selling Alice Cooper record at the time of its release, hit number one on the album charts in both the United States and the United Kingdom,
On it was a hit with "No More Mr. Nice Guy" (remade several year later by Megadeth) and went on to be certified platinum by the Recording Industry Association of America.

Alice Cooper, who wrote the majority of the album’s lyrics, cited Chuck Berry as a key influence on his writing."[Berry] was my favorite lyricist,"
Album dedicated to the broadly understood concept of perversion, not just sexual.

-Hello Hooray
The song is a Canadian composer Rolf Kempf, and performed it originally Judy Collins. The recording opened her album Who Knows Where the Time Goes, 1968, which incidentally until two songs sung by Leonard Cohen. Rolf Kempf from the child suffered from polio and still comes on crutches. Really great idea for an introduction to the album. The recording is a monumental flavor, great arrangement, the melodic and superbly performed. An important role is played by strings and piano. Excellent guitar solo in the middle of the track to the display of the bass guitar. A long, emotional finale, especially from the vocal. Work begins to submit to the Billion Dollar Babies tour. Group noted that the text fits Kempf them to enter.
-Raped And Freezin ‘
Composition and Bruce Cooper. Lighter in style rock Be My Lover. At the end of a little Mexican rhythms. Text surprising. The guy was driving with his girlfriend the way to Santa Fe in Mexico. The girl became insistent and had to flee in the desert. He got naked to the already famous town of Chihuahua.
-Elected
The composition of the group transformed from a recording of the album placed Reflected Pretties For You, which in turn was transformed from a recording Elected played by the musicians while they called themselves The Nazz. Paddock effective, since the recording Elected became the new anthem of Alice. The recording begins with a wall of sounds, from which you can pick out a strange note synthesizer. Alice does not sing, or rather shouting text.
The recording is well produced. The modern arrangement has included synthesizers and wind instruments. The action is swift, always something going on. The text, while following the presidential elections in 1972, is an attempt on the part of election campaign Alice. It is rather an attempt to election satire and a bit perverse, but the correct Alice’s suggestion directed toward young people to chose his. The initial guitar riff is very similar to the recording of Dolly Dagger, Jimi Hendrix (Rainbow Bridge album, posthumously released in 1971). Perhaps this is why the team wanted to explain why did the ‘new’ song.
-Billion Dollar Babies
Aggressive, perverted rock. Composition Cooper, Bruce and Reggie Vincent. Alice goes vocals himself. Reported vocal mannerisms similar to David Bowie is the most on the spot. If you have two heads, the second is Donovan, whose parties were registered during the famous or infamous session in London. Guitar solos you like. In addition to Buxton on guitar playing Reggie. It is worth noting seemingly synth arrangements. The text, of course, controversial, can not be otherwise, especially on this album. Oscillates around this sexual addiction, in which the full range of feelings associated with love is shed only dissolute physical love with a prostitute. This leads to a kind of paradox, in which the prostitute does not understand the behavior of a partner being regarded as perverse.  

-Unfinished Sweet
One of the best arrangements on the album. Composition Cooper, Bruce and Smith. Party music is subordinate to visit the dentist. For the first group game and a half minutes at a moderate tempo rock. Alice sings the text even without special emotions. Completion of the work are the groans of Alice on the background of siren, repeated theme played on guitar.
-No More Mister Nice Guy
Great riffs in the beginning. Composition and Bruce Cooper. One of the big hits. Good melodies throughout the song.
It is believed that the song is a riposte to Alice ARTICLE release in Rolling Stone music written statements made by the parents of Alice, who explained to him against charges of journalists. And these reproaches his father that raised such an element. Alice very experienced criticism, which was hampered by his family because of his performances. He was aware that they suffer from the reaction of the nearest community. She sings about it in this song.
-Generation Landslide
Cabaret entry point to a further departure from the style of the band, but no. The only new element is the acoustic guitar, which was achieved thanks to an interesting sound. Not abandoned the electric shock, but they are few and emphasize only certain portions of the text. The most surprising thing is nice harmonica solo, which Alice used a bit too little in his career. In the end guitar solo and more dynamic in this fairly light track to mute. The composition of the team. A prototype version of this recording called The Son of Billion Dollar Babies.
-Sick Things
The composition of Ezrin, Bruce Cooper. Again, unusual recording. Alice sings with the accompaniment of tribal drums and bass. At his voice is sometimes imposed path of recitation of the same words in a whisper (Buxton). As the situation turn on wind instruments. Together, this creates a somewhat cosmic crucible, which really corresponds to what is happening in the text layer. The intensity of sound increases after 3 minute. It gives a sense a low voice deklamuj?cy (Buxton). It comes with a guitar solo (Steve Hunter).
-Mary-Ann
Composition and Bruce Cooper. Only the piano (Ezrin) and singing (Alice). Same nietypowo?ci on this album. This time, Alice in the style of Paul McCartney. Very cabaret piano. Probably used in the compositions of the 40′s.
The farther, the group more and more surprises. Reczywi?cie text is mysterious. When Mary-Ann is a man, a suggestion that is transwescyt? is not meaningless. 

-I Love The Dead
The best record on the disc. The composition of Ezrin and Cooper. From the first track the bar comes in a unique atmosphere seemingly devoid of harmony. Alice quite quickly throws all the text in the midst of exotic oriental ornaments extracted from the strings of the piano. There he sings, recites rather ghostly voice, whose timbre dos?ucha? to be contradictive, black sense of humor. Dramatic, theatrical vocal skaty are great in this atmosphere. More and more frequently included guitar, which adapts to the dramatic atmosphere created by piano, rhythm section and strings here and there. Within the limits of 2:30 begins a two-minute piece, which is built around constantly repeated the words ‘I love body’ and a simple melodic line. In places the music stops and then Alice and Glen wypstrykuj? whole range of its zadyszek that really roz?mieszy?yby even dead. Around 4:30 track back to the beginnings of the climate. Alice repeats the opening verses, but with greater emphasis emotionally. A sudden and dramatic end of the short sounds of strings. The song is an example of an unusual sense of humor and hard to take it otherwise. Reviewers, however, generally avoided explicit statements about it. Not surprisingly, the subject of necrophilia is slippery, so it is highly likely that the praise song reviewer could cause credit to a group of people struggling to make this extremely rare sexual pleasure. Knowing the public reactions, and especially the media, such transfer was an expression of art and is extremely reliable. In public opinion, this work resulted in the group Alice Copper inclusion among the practitioners of extreme sexual perversions. This confirmed only that it was necessary to record a song....
-Coal Black Model T
A prototype of the recording Slick Black Limousine.
-Slick Black Limousine
In 1973 the song was released on a plastic plate that comes with the effort the New Musical Express in London. This was to be a group gift on the occasion of Alice Cooper tour in Britain. A little crazy rock. Loud and messy. Set in a classic rock and roll, but the battered guitar appetizer. Some of the sounds of singing in the second portion of the recording timbre reminiscent of Marc Bolan. The text of the hymn to the technical capabilities of the car that trigger so many emotions and give as many new experiences to man. I hope you die in a sleek black limousine.

Thanks OldBitch.....hug my friend!
Yours,  

no passwd

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